2 days ago · Perverse, poetic, steeped in emotional desolation and destructive obsession, it delivers a fearlessly dolorous view of longing and betrayal in the guise of an acrophobia …

Yet through the heat of Salieri’s contempt, Mozart’s compositions come alive with fresh urgency: AMADEUS isn’t a stodgy costume piece for classical music fans only, it’s a gripping drama …

“Gustavo Dudamel has ignited classical music performance as few others have this century. (The film is) a celebration of the ever-youthful superstar’s acclaim and popularity.

And then 27-year-old Kubrick eschews classical intercutting and instead scrambles the chronology, re-winding to the start each time a different team member’s particular role …

God, as ever in the work of legendary filmmaker Bresson, is in the details: the elliptical editing, with its abrupt cuts, off-screen space, and as much focus on the hands of the non-pro cast as …

MICHAEL (1924) Based upon Herman Bang's 1902 novel, legendary Danish director Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr, Ordet) refashions the classical Greek …

Marcelo Gomes is a danceur noble: a male ballet dancer whose extraordinary technique, charismatic presence, and seemingly effortless strength make him the embodiment of the …

The birth of a child fails to bring light into her eyes. A classical art movie saturated with Chabrol's dark romantic pessimism.” – Time Out “Who else (but Huppert) could do so little and yet …

“A symphony in the key of red… oddly meticulous in its deconstruction of classical filmmaking, the crime genre, ­ even musicals. One extraordinary shot, as Belmondo and Karina cross a field, …

Tormented love ensues, to the tune of 23 classical works (dubbed by Isaac Stern), with a final sacrifice courtesy of Wagner. Based on the Fannie Hurst novel. 35mm.