Shot in Las Vegas over 19 days in February 2024, this indie drama is a compassionate study of families, both found and biological.

Our views of Vegas vary wildly, from a Disneyland with slots to a city of drugs and depravity. With the acclaimed The Last Showgirl arriving this month, we're looking at decades of cinematic trips to Sin City.

Director Gia Coppola explains how she created an authentic version of Sin City that is so tangible that the acclaimed Pamela Anderson-led drama is a sensory experience.

The former “Baywatch” star marks a career high in Gia Coppola’s portrait of an aging dancer.

After “Baywatch,” that “Pam and Tommy” miniseries and a documentary on Netflix, Pamela Anderson was ready for a change. She gets it with "The Last Showgirl."

The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

Pamela Anderson makes herself small in "The Last Showgirl," director Gia Coppola's intimate portrait of an aging idealist hanging on to the last vestige of Las Vegas glitz in a world that has long since passed her by.

But director Gia Coppola returns to that image so often, in lieu of character development or forward plotting, that it becomes clear Anderson’s starring performance is more substantial than the film housing it.

She did not win at the awards ceremony on Jan. 5, but Pamela Anderson was deserving of her nomination for a Golden Globe for her starring turn in “The Last Showgirl.” Getting a wide release this week,

How Pamela Anderson's critique of ageism in 'The Last Showgirl' parallels Maureen O'Hara in Dorothy Arzner's 1940 'Dance, Girl, Dance.'

Gia Coppola's The Last Showgirl, starring Pamela Anderson, Jamie Lee Curtis, is set to be among the most memorable movies of the year.

The only secure job in Las Vegas is demolition. Everyone jokes that it’s construction, but as the dust from the implosion of the Tropicana settles on the Sphere, it’s clearer than ever that Las Vegas loves to destroy its history.